Two Gentlemen of Verona?? More like One Gentleman and One Scumbag of Verona. This is one of the Bard's earliest plays, and oh boy, what a doozy.
We open on young Valentine gearing up to leave Verona to expand his horizons in Milan and trying to talk his best buddy Proteus into joining him. But Proteus doesn't want to leave his ladylove behind, not to mention he's a lame lazybones who can't be bothered to expand any horizons.
So Valentine is all, "Hope your life is awesome. Peace out."
But then Proteus' dad is all, "You better get your good-for-nothing behind up and go see the world and quit embarrassing me, you massive disappointment." So then we have to listen to Proteus and his main squeeze Julia go on and on with much sighings and tears and swearing their love eternal to one another. Including exchanging rings and vows.
Have you already guessed who the scumbag is and who the gentleman is? Hint: Proteus is the scumbag and I hate him.
But let's not get ahead of ourselves.
So Proteus follows Valentine literally the very next day accompanied by his servant Launce and Shakespeare's most famous dog Crab.
(Let me just tell you that Launce and Crab provide a lot of comic relief throughout the play but since Crab's role is entirely non-speaking—what with him being a dog and all—and their bits not having much to do with the main plot: it's hard to translate here. Suffice it to say, we love Crab.)
Apparently within this twenty-four hour window, Valentine has gotten to Milan and fallen hopelessly in love with Silvia who is a total smokeshow but unfortunately promised by her father to sad sack Thurio. She obviously has zero interest in actually marrying Thurio, and she and Valentine have started making plans to run away together.
In one day. Oh to be young and to feel love's keen sting.
But then Proteus shows up and immediately falls for Silvia too. You know, the Proteus that just yesterday swore eternal love to Julia? Yeah. Same guy. He has like, a moment's pause over the fact that he's basically stabbing both Valentine, his best friend, and Julia, his eternal love, in the back, but no worries: he doesn't lose any sleep over it or anything.
Instead, he goes to Silvia's dad and spills the beans on Silvia's and Valentine's entire plan for elopement and gets his best friend banished from Milan. Classy.
So Valentine is out wandering around in a forest (classic Shakespeare), and runs into a band of outlaws who decide to make him their leader because they're actually a bunch of standup guys and Valentine is the most upstanding of all standup guys there ever was.
Back in Verona, Julia is wasting away missing Proteus and decides to dress up like a boy and go to Milan to be with him. Because can we have Shakespeare without any crossdressing? No we cannot. She gets there just in time to discover her eternal love serenading his love to fair Silvia who, by the way, has not given him the time of day.
Silvia may be my favorite Shakespearean heroine of all time. Definitely in recent years.
But does Julia give Proteus the what-for and leave that little git forever? Obviously not. The only course of action is to become his pageboy and torture herself. Naturally.
Proteus gives Sebastian—the boy name Julia has chosen for herself—her own ring to take to Silvia, but Silvia does give him the what-for and tells him exactly what he can do with himself.
Did I mention we love Silvia?
Silvia finally runs away into the forest to get away from her awful dad and sad sack Thurio but is immediately taken prisoner by the outlaws. As they're taking her back to Valentine, Proteus "rescues" her, and continues laying it on thick. Unbeknownst to Proteus though, Valentine is watching the whole thing. When Silvia still won't give it up to him, Proteus makes to rape her at which point Valentine steps in and is all, "You treacherous bastard, how dare you?!" But Proteus immediately pedals it back and is all, "I'm the most disgusting person to have ever lived." And Valentine is all, "Oh good, you get it too."
But then...forgives him and wishes him a good life?
Like, Valentine, come on.
And then Julia swoons and everyone realizes she's Julia and not some boy named Sebastian, and Proteus suddenly remembers that she's his one true love and they get back together.
Oh Julia. Grow a spine, sis.
Then Silvia's dad and Thurio show up. Thurio claims Silvia for his wife, but Valentine is all, "Try me. I will end you where you stand."
I'm sorry, where was this attitude when Proteus was literally about to rape her?? But I digress.
Thurio immediately backs off because hellooo: sad sack.
Silvia's dad finally realizes what a loser Thurio is and how great Valentine is and consents to Silvia's marriage to Valentine. He also un-banishes all the outlaws. And they all live happily ever after. Except I guess for Thurio.
Like, what? I was really with Valentine until he didn't immediately castrate Proteus when Proteus tried to force himself on Silvia. And Julia, really?
But that's Shakespeare for ya. At least we got Crab. And one heroine who actually ends up with a good guy if we overlook his easy forgiveness of the most reprehensible human ever. I mean, no one's perfect.
Next up on my mission to read Shakespeare's complete works: Coriolanus in August. Maybe I'll get a recap up before four whole months go by. No promises.
these remain my other favorite. would kill to actually go to a Shakespeare play with you at some point but only if I get your running commentary in real time.
ReplyDeleteπ€£π€£ Could you imagine? We'd get kicked out so quick!
DeleteFavorite parts of this post:
ReplyDelete“Have you already guessed who the scumbag is and who the gentleman is? Hint: Proteus is the scumbag and I hate him.”
“ Because can we have Shakespeare without any crossdressing? No we cannot.”
“But Proteus immediately pedals it back and is all, "I'm the most disgusting person to have ever lived." And Valentine is all, "Oh good, you get it too."”
“Thurio immediately backs off because hellooo: sad sack.”
“And they all live happily ever after. Except I guess for Thurio.”
I agree with Reagan. I would love to watch a Shakespeare play in which you provide a running commentary in real time πππ»
Also, I want to read this play if for no other reason than to see how the dog, Crab, can be a non-verbal comic relief π