Tuesday, February 17, 2026

Let's Bust a Recap : The Borrowed Life of Frederick Fife

The second book chosen for our book club to read this year was this 2024 debut by Australian author Anna Johnston: The Borrowed Life of Frederick Fife. 

And what a gem! I loved this hilarious, heartfelt novel from the first word to the last. Johnston did not miss a single step in her debut, and I've already put her upcoming release on my amazon wishlist and requested that my library buy a copy even though it's not coming out till August. 

In the first chapter, we learn that 82 year old Fred has just been evicted from his home and is taking a walk along the river to find a little snatch of peace while he tries to figure out what he's going to do. In an insane turn of events that involves his uncanny doppelgänger floating away down the river, Fred finds himself being loaded into a van and taken to a nursing home where he's fed the best meal he's had in months and tucked away into a warm bed. Despite his earnest attempts to correct the mistake, Fred can't seem to make anyone believe that he isn't Bernard Greer and decides maybe it won't be so bad to "borrow" this stranger's life since he won't be needing it any more. 

While you might think you'd have to suspend disbelief to such a degree that this story couldn't possibly be enjoyable, I think Johnston actually pulls it off. She does such a wonderful job of spinning a yarn that seems like it could—believe it or not—be plausible despite how absurd it sounds on the surface. Frederick Fife is a kinder, sunnier Ove who, instead of being adopted by the people around him against his will, adopts all the people around him himself to create his new found family. I loved it so much. 

Another surprising element of The Borrowed Life of Frederick Fife that endeared me even more to this sweet novel was that I saw myself in Fred. I mentioned in one of my recent reviews that it's hard to find a novel where the protagonist is childless and content. In The Borrowed Life, Fred and his late wife very much wanted to have children but were unable to grow their family. While this was one of the harder elements of this narrative to read about (and let me just give a trigger warning for miscarriage), I felt such a kinship with this character who kept a sunny outlook and had such a beautiful and fulfilling marriage with his partner. I didn't expect the story I'd see myself in to be that of a lonely male octogenarian, but I'm so glad I found it.

Finally, I have to continue my applause for Johnston's brilliant debut by saying that I didn't see the twists coming. I certainly haven't read every book on the planet, but The Borrowed Life of Frederick Fife felt wholly original and fresh to me, and I stayed up way past my bedtime finishing this one. 

Two enthusiastic thumbs up from this reader, and I'm so looking forward to Anna Johnston's sophomore novel—coming in August!

Tuesday, February 10, 2026

Let's Bust a Recap : Coriolanus

It's February which means it's time for some Shakespeare, but before I pick up Merry Wives of Windsor which is the comedy on the docket for 2026, I've got to get Coriolanus done and dusted. So today, let's talk about one of old Billy the Bard's last tragedies and then hopefully we'll be back in a few weeks to talk about his Merry Wives. 
Coriolanus is basically about this guy Caius Marcius who's just kindof this mid Roman. He has money and he thinks the plebeians are a total waste of space, but he's also not really in a position of power either. He's hotheaded and bloodthirsty and a complete snob. 

So the Volscians are trying to overthrow Rome led by Tullus Aufidius (whom Marcius deems a worthy adversary by the way, because why even fight if it's not going to be a good fight) and Marcius leads a troop of soldiers into the city of Corioles and completely wrecks it. The Romans basically hoist him on their shoulders and take him back to Rome singing Hail the Conquering Hero and Rome names him Coriolanus for his total devastation of this city. So from now on, I'll refer to him as "Coriolanus". 

Meanwhile, I should mention that his mom Volumnia, who has this very creepy reverse-Oedipal thing going on, has been sitting back at home with Coriolanus' wife and kid waxing on about how she hopes the battle is bloody and that her son is victorious but, you know, with some wounds to make it more dramatic and hot. It's weird. His wife Virgilia is like, "I mean, I hope he wins too, but we want him to be okay, right?" To which Volumnia is all, "The bloodier the better." Like I said, weird.

So Coriolanus is back and being honored by all the powerful people and his mom is all, "Here's your chance to move up politically." But Coriolanus hates this idea because it involves putting himself on display and basically begging for votes from the plebes. Who, as I mentioned, he considers to be a waste of space. But he's a momma's boy so he does what his mother tells him and we have a whole scene of him showing off his battle scars (literally) to the commoners and trying not to absolutely blow his top while his friend Menenius (the only person in the whole play who is actually a reasonable and likable human being) is trying to get him to keep it together and not to lose it on these citizens. 

He ends up getting the people's support—almost not—but before he can even take his place as a consul, these two other guys, Brutus and Sicinius who have hated him from the beginning, stir the people up into a riot against him. Honestly, I can't really blame the people because Coriolanus is such a stuck-up jerk—definitely not Prom King material—but why Brutus and Sicinius care so much is a little beyond me. Jealous losers.

At this point, Coriolanus finally loses his barely controlled temper and not only does he rip the Romans a new one, he goes off to such an extent that he gets himself banished. He comes back with the very mature, "NO, I BANISH ROME FROM MY PRESENCE." Good one, bro. 

So what does he do? He goes to Tullus Aufidius (his mortal enemy, remember?) and says he wants to wreck Rome now and will T.A. help him do it? Because that seems like a reasonable response and nothing could possibly go wrong with this plan, right?

T.A. says sure, let's go right now. 

So Coriolanus is now marching against Rome and the Romans are in a panic because for all his faults, we've already established that Coriolanus can kick some serious butt in a fight. So all his friends are going to him trying to talk him out of this madness. But obviously, he's not hearing any of it. So the Romans are like, "Get his mom." 

I mean, good move. 

So Volumnia goes to her son, taking Virgilia and Coriolanus' son with her, and they have this whole back and forth where Coriolanus is basically all, "There is nothing you can say that will keep me from burning Rome to the ground." And even his kid is like, "If you do this, my entire goal in life will be to grow up and fight you myself." Which Coriolanus doesn't really seem to care about, but his mom finally talks him out of it (momma's boy, remember?) and Coriolanus succeeds in making peace between the Romans and the Volscians. 

So now the Romans and the Volscians are loving him and old T.A. is not happy about it. Coriolanus returns to the Volscian capital and obviously there's a big to-do, but T.A.'s buddies aren't having any of it and publicly assassinate Coriolanus. 

I mean, he kindof had it coming. I know this is supposed to be a tragedy but are we sad about this?

Once Coriolanus is dead, T.A. all of a sudden gets a conscience and is all, "This is sad. I'm sorry. Let's give him a proper send-off." And they all pick up his body and carry him out. And that's the end. 

lol

Coriolanus was a very engaging play and I read it pretty quickly, but it was also a little confusing because I wasn't sure if I was supposed to like Coriolanus or not. As I said, no one in the play was remotely sufferable except for Menenius so whenever Menenius was giving a reasonable defense of Coriolanus, I was like, "okay, maybe he's not the worst guy ever" but then as soon as Coriolanus himself showed up I was like, "No I definitely hate that guy." So basically I'm a plebeian. Ha! What I'm coming to realize about Shakespeare (and maybe I've said this before) is that the only difference between his tragedies and his comedies are that everyone dies in the tragedies. Sometimes his comedies are very sad, and a lot of the time his tragedies are hilarious, but the difference is just whether or not people die. So when I pick up Shakespeare, I'm never sure what I'm going to get. And that's fun. 

Tuesday, February 3, 2026

Let's Bust a Recap : Before We Were Yours

Okay, this book was extremely popular when it was published in 2017, and so many people recommended it to me. I read it last August, and maybe I'm the outlier here, but I did not like it.

Buckle up for a scathing review and possibly some spoilers, and if you're one of the ones who loved it and recommended it to me: sorry, not sorry. 

Lisa Wingate's 2017 New York Times bestseller Before We Were Yours is structured as a dual timeline, going back and forth between 1939 Memphis, Tennessee and present day Aiken, South Carolina. In 1939, we're following the story of Rill Foss who is desperately trying to keep her family together after she and her four younger siblings are kidnapped and taken to an orphanage. In the present day, we're following the story of Avery Stafford, a wealthy young lawyer from a prestigious old money Southern family with the perfect handsome fiancé to boot. A chance encounter with a confused elderly lady at a nursing home who mistakes Avery for someone else has her questioning her entire family history and sets her on "a path that will ultimately lead either to devastation or to redemption." And that's straight from the back-of-the-book blurb. Not dramatic at all.

This "historical fiction" novel (and yes, those quotes are dripping with sarcasm) is meant to highlight one of the most notorious scandals in our nation's recent history: that of Georgia Tann and the Tennessee Children's Home Society, a front for her black market adoptions which was operational from the 1920s to 1950. Tann trafficked literally thousands of children through the Home Society, and when I say the uterine cancer that took her life mere weeks before charges were brought against her was too good a death for her: I mean it. People have praised this book for bringing to light this "little known" part of history, but this scandal has been covered pretty extensively in books, podcasts, documentaries, TV, and even a movie. I'm not so sure we needed Lisa Wingate's novel. Her writing isn't bad, but she doesn't shy away from the horrific things that went down in Georgia Tann's organization including child abuse, child rape, and even child murder, and I felt sick the entire time I was reading this book. I kept waiting for a brilliant resolution to make all the misery worth it, but we never get one. 

And don't get me started on Avery's storyline. It felt like Wingate just wanted to write a Hallmark romance but have people take her seriously so she tangled it up with the most horrific scandal in our nation's history so she could get that "historical fiction" tag. While I did wonder where Rill would end up and that kept me turning the pages, there was nothing remotely mysterious about how Avery's story would turn out. You saw every beat of her dumping-her-perfect-family-approved-fiancé-for-the-laid-back-single-dad coming from a mile away. (Sorry for all the hypens.) 

Before We Were Yours has been compared to Orphan Train by readers and marketers alike, and, before I even knew that, I was definitely getting those vibes while I was reading. But compared with Christina Baker Kline's excellent novel, Wingate's Before We Were Yours felt manipulative and her manufactured happy ending fell incredibly flat for me. It wasn't the worst book I've ever read, but all things considered, it didn't add up to a good experience for me, and I wouldn't recommend this one. 

What book didn't live up to the hype for you?